Recent Visits: 00029 since Aug 2, 2008
May 2004


http://amcofa.org/jamestown/


Over 250 men, and many of their wives, converged on the city of Jamestown, on the windswept plains of North Dakota, for this year's Upper Midwest District Big Sing. We were rewarded with good fellowship, good singing and fun, as well as good weather. The latter was especially welcome, after the snow and floods of the previous two Sings held in Jamestown.

Attendance was down somewhat from past years, but we still filled the Civic Center Arena with sound. We were glad to welcome back our Winnipeg brothers in song, who had been forced to curtail their activities with the Association due to financial constraints. We missed the 3M Chorus this year, but the other twelve member choruses were well represented.

The Jamestown Choralaires put together a good program for all of us to enjoy. The Friday evening adjudicated recital was special for many of the singers who remembered Jamestown's retired director, Joe Bannister. Joe was one of the two distinguished clinicians, along with Dr. Richard Walentine, providing feedback to the choruses. The recital is often one of the best parts of the weekend, since most choruses prepare interesting and unusual numbers for it.

We spent the first part of Saturday morning in a lively sight-reading session, ably conducted by Pam Burkhardt, Jamestown's current director, who kept us moving through the pieces. Thanks to the generosity of Poppler's Music in Grand Forks, ND (http://www.popplersmusic.com/), the singers got to keep all the music they read through, instead of returning it, as has been the norm in the past. After a coffee break and some non-low-carb Krispy Kreme doughnuts, we went directly into the massed chorus rehearsal, during which we raised $1050 for the AMCA Scholarship Fund. The men partook of a meal served onsite by the Choralaires, while the ladies enjoyed a luncheon at the local college, which included a concert by the college's concert choir. Due to the compression of activities in the morning, we had the entire afternoon free. A number of singers and spouses enjoyed a tour of the Jamestown area, including a visit to the National Buffalo Museum.

The evening concert was presented to an appreciative audience of around a thousand people. The highlight of the concert, and the origin of its theme, was the first major public performance of a new composition by Carrie _ Kraft, the longtime Jamestown accompanist, with words from a Walt Whitman poem, "I Hear America Singing." There have been a number of pieces composed for Big Sings, but from the comments I heard from other singers, this was one of the best liked of them all. If any other choruses are interested, Neil A. Kjos Music Company published Ms. Kraft's composition as Ed. 5581.

Without an intermission, the concert was over well before 9 PM, which allowed the afterglow to start while the evening was still young. Because of a good PA system (and because most conversation ceased or at least became subdued), in contrast to too many past such events, we could clearly hear and enjoy the choruses who shared their fun songs with all of us. A couple of highlights stuck in my mind. One was the rendition of "Lida Rose" (from The Music Man) by the South St. Paul Chorus, which included a lovely soprano solo by their soon-leaving director, Stephanie Phelps. The other was the alternate wording to "Man of La Mancha," written by a member of the Cold Spring Area Maennerchor (see accompanying article).

All in all, it was a very nice weekend, and I want to extend my thanks, representing all those who attended, to the Jamestown Choralaires for a well-run event. Now the UMW District men can look forward to next year's Sing in America's healthiest city, Rochester, Minnesota (home of the Mayo Clinic, for you non-Midwesterners).

Ed Armbruster

"Man of La Mancha" Revisited

Laughter rippled around the Jamestown Civic Center during the afterglow following the Upper Midwest District's Big Sing as the men read the words on the papers being distributed by members of the Cold Spring Area Maennerchor. We had just concluded a successful Big Sing that included the theme song from the musical, Man of La Mancha. Now in front of us was a set of alternate words, and the "cousin" of the author, decked out in coveralls, with the biggest buck teeth I'd ever seen, was asking us to join his chorus in singing the revised version. It was hard to sing between chuckles, but most of us managed. For your enlightenment, and with the kind permission of the author, Homer Swedberg, I present below a new take on the classic:
Hear me now, all you criminals, vagrants, and thieves:
All your dastardly doings are past,
For a horseman on Silver will force you to leave,
He'll scare you away with his mask.
I am I, the Lone Ranger,
To danger no stranger.
The bad guys out West all will flee.
With my sidekick named Tonto
We'll frighten them pronto
And townsfolk will pay a small fee.
Townsfolk will pay a small fee,
Income for Tonto and me.
I'm Tonto, and I like nachos.
The Lone Ranger brings them every day.
I'd soon desert him, if he didn't bring them.
Give me nachos, and I'll stay.
Hear me burglars and rustlers and jaywalkers, too:
You're the scum of the earth, now you'll pay.
I will cleanse the Wild West of all losers like you,
If Silver will go the right way. .
I am I, the Lone Ranger,
To danger no stranger.
The bad guys out West all will flee.
With my sidekick named Tonto
We'll frighten them pronto
And townsfolk will pay a small fee.
Silver, please listen to me!
Stop, or we'll hit that big tree!
Whoa!!
Ed Armbruster

Men of Music Host Big Sing

On April 24th, the mid-Michigan Men of Music hosted the Annual District Sing of the Great Lakes Male Chorus Association (GLMCA) at the Midland Center for the Arts. There were representatives from ten male choruses of the GLMCA: Flint Area Knights of Columbus, Flint Male Chorus, Flint Norton Chorus, Gentlemen Songsters of Detroit, Kalamazoo Male Chorus, Men of Orpheus of Lansing, Michiana Male Chorus of South Bend, Indiana, Millstream Singers of Findlay, Ohio, Port Huron Schubert Male Chorus, as well as Men of Music of Midland. The 230 singers entertained an audience of over 400.

The sing went well. There was seating for all of us on the stage while the individual groups performed. Because the curtain was drawn between the individual groups and those seated, we could only hear and not see them. The curtain was opened for the mass numbers and the pianos moved. This method was efficient, but it would have been nice to see the individual performing groups.

As typical of most afterglow parties, they ran out of food! But it was nice to see the different groups perform in a more relaxed atmosphere. Almost 400 people attended the party.

CDs of the performance can be purchased for $22 including tax and shipping from
Spatial Recording
Great Lakes Men's Chorus Concert CD
3910 Applewood
Midland, Michigan 48640
Next year's Great Lakes District Big Sing will be in Detroit, hosted by the Gentlemen Songsters.

With the 2003-2004 season, the chorus celebrates 68 years as Midland's "Ambassadors of Song." Fellowship, philanthropy, and the joy of blending male voices in harmony are at the heart of the Men of Music story. The chorus began in 1936 as the Dow Male Chorus and reorganized as Men of Music with the formation of Music Society in 1961. The current group now boasts members representing over 1,000 years of choral experience.
John Fleming

Amherst Male Glee Club Is Busy

We hosted the NY-Penn District Big Sing on November 1, 2003. Over 750 audience members enjoyed the renderings of the six choruses of NY-Penn plus guest choruses from Associated Male Choruses of Ontario. Through a Chinese Auction, we raised over $700.00 for the AMCA scholarship fund.

Later in November, AMGC performed a benefit for a Lutheran church to aid their building fund. In early December, we performed for the Amherst Quilters Society's holiday party. In addition we entertained the Knights of Columbus in North Tonawanda, NY, at their annual Christmas Party.

Canterbury Woods, a senior living facility, was the location of our first outreach "singout" of the new year. The rest of the first quarter of the year was the build-up time to our annual fundraiser, "The Red Blazer Varieties," held March 18-20. This is a Broadway-style musical review with professional scenic design, choreography, and lighting and two immensely talented guest performers this year - a phenomenal violinist and a comic juggler. Over twenty-five hundred people attended over the three-night run.

On May 13th, we perform at Harris Hill Nursing Home, and on the 22nd a benefit concert for Buffalo Suzuki Strings will bring our performing year to an end.
Kenneth Miller

Eagan Keeps Busy Too

Not to be outdone by Amherst (sorry, different district), the Eagan (MN) Men's Chorus has a full slate of concerts scheduled for the rest of the year. There are already about 13 engagements following the Big Sing, with more to come. Unlike a number of choruses, Eagan does not disband for the summer months, so they have a lot to do when they don't have to wear coats over their tuxedos. They also have a strong working relationship with the Eagan Women of Note, which they were instrumental in founding, and perform several joint concerts and fundraisers.

Eagan's talented director, David Campen, did double duty at the recent Big Sing in Jamestown, ND. Since the director of the Rochester (MN) Male Chorus (Dan Kuhlman) could not come to the Sing, Dave agreed to direct the RMC at the Friday night adjudicated concert, as well as his own chorus. Both groups felt that the arrangement worked out fine. Dave appreciated how well Dan had prepared his chorus for the performance. Both choruses rated very high with the judges.

One of the highlights of Eagan's performances this spring was a joint concert on May 1 with two bell choirs.

[Ed. Note: I took the following from an email sent before the concert happened; maybe we'll get a report on its success next time.] The month of June is the fiftieth anniversary of the founding of the American Guild of English Handbell Ringers (AGEHR). Here's a brief history from the AGEHR website (www.agehr.org) where they have a lot more information:
The love and enthusiasm for handbells in America sprang from the hands of Margaret Shurcliff of Boston, Massachusetts. In 1902 she became the first American woman to ring a complete peal on tower bells in England, as well as two peals on handbells. She was presented with a set of eight Whitechapel English handbells, which she continued to expand. Margaret also was honored with a membership in the Ancient Society of College Youths, England's oldest and most respected ringing society. Margaret introduced many friends to the joys of handbell ringing. Her Beacon Hill Ringers, consisting of five of her six children and several friends, became well known for their annual Christmas caroling on Beacon Hill. The popularity of handbells spread rapidly through New England in the early 20th century, even though virtually all bells had to be imported from England. In 1937 several handbell enthusiasts met at Margaret's home and formed the New England Guild of English Handbell Ringers (NEGEHR), with Margaret serving as its first president. Members of NEGEHR exchanged music, ideas and techniques. As far as meetings were concerned, the members would gather one evening each spring for supper, hold a business meeting, and then finish the night with a public concert.

By the early 1950s, handbell ringing was scattered across the United States, and in February 1954 NEGEHR met at Margaret's home to plan the first American handbell festival. Festivals were designed for the purpose of "spreading new ideas and exchanging music, techniques and information." It was at this time The American Guild of English Handbell Ringers (AGEHR) was formed. In June 1954 officers were elected, dues were set, and definite plans were made to hold a festival.
The Area VII AGEHR "Clapper Chatter" newsletter advertised the concert with the following:
"Golden Bells, Stellar Voices" River Hills Methodist Church
Two handbell ensembles join with a male chorus for a night of Golden Bells and Stellar Voices, celebrating music and handbells through 50 years of history.
The choir and director names follow that. I believe we're supposed to be the Stellar Voices, which gives us a goal to shoot for. Those who remember listening to and performing with the Jubilate Ringers a couple of years back already know how fantastic the bells will be on May 1. This should be a great night of music!

Ken Coy

Wisconsin - Upper Michigan Report

The six choruses of the Wisconsin-Upper Michigan District presented their Big Sing on May 1 in Munising, MI, featuring mass numbers from Broadway shows plus some afterglow or chorus favorite numbers for solo performances.

Before the annual district sing in Munising, Mi., a district meeting and election of officers, starting with the 2004-2005 singing season in September, was held.

Officers are:

  1. President - Bill Rowe - Gwinn Forsyth Singers
  2. Vice President - George Pecor - Milwaukee Male Chorus
  3. Secretary/Treasurer - Steve Butz - Milwaukee Male Chorus
  4. Governor - Doug Wolfe - Marquette Male Chorus.
The agenda included discussions and voting on the following issues:
  1. The delegate situation was set up that the President is first, the Governor second and if need be the Vice President.
  2. A policy was set for all 6 choruses to surface candidates for district and national scholarships. Host for district sing has priority for district scholarship that has been raised to $500.
  3. Use of music on stage for local or district performances, on Mass numbers, would only be allowed for new members or infirmed.
  4. Additional choruses to enlarge district set for Wisconsin, Upper Michigan and northern Illinois. An aggressive stance is to be taken.
  5. New by-laws and job descriptions to be set up after new national structure is set.
The district sing of the 6 choruses was held in Munising on May 1st featuring mass numbers from Broadway shows plus the same, afterglow or chorus favorite numbers for solo performances.
The mass numbers and directors were:
  1. Another Op'nin, Another Show - Vicki Holsworth Negaunee
  2. It's A Grand Night For Singing - " " "
  3. Once Upon A Time - Don Crouch Milwaukee
  4. Step To The Rear - Charlie Frassetto Gwinn
  5. Hey Look Me Over - Peter Jonas Munising (Host Chorus) who also directed the Star Spangled Banner and Salutation
  6. There's No Business Like Show Business - Jim St. Charles Nicolet of Rhinelander
Solo numbers included:
  1. Gwinn - Let Me Call You Sweetheart, An American Salute, The Ballad Of John Henry
  2. Marquette - Rigoletto Quartet (Travesty)
  3. Nicolet - Riders In The Sky, Sunshine In My Soul, A whale Of A Tale
  4. Milwaukee - Get Me To The Church On Time, There Is Nothing Like A Dame, Beer-Can-Tata (a collage of a tribute to what they refer as Milwaukee Holy Water)
  5. Negaunee - Elijah Rock, Georgia, Go Down, Moses
  6. Munising - Cotton Fields, Crazy Little Thing Called Love, Sh-Boom
Can you imagine how the afterglow and after, afterglow turned out?

This year's scholarship student is Joe Pociopa sponsored by the Munising Vanguards.

4 of the 6 choruses provided annual reports as their highlights for the season.

Gwinn was able to add two new members plus a tag team of two accompanists for singing at several churches. Their season will end with a concert on May 14th plus Memorial Day services on the 31st. Like all the other 6 choruses, they thought the 2004 district Sing was outstanding as witnessed by a very receptive audience.
Being from a small town, Gwinn has developed a unique fund raising for their chorus. Each year they hold 5 events with the making and sale of pasties, a Cornish delight created by taking beef, pork, potatoes, rutabagas, onions and seasoning wrapped in a crust and baked. Each event yields roughly 575 pasties or around 2800 a year for the past 27 years. They must be trying to be the new McDonald's with over 50,000 sold. This provides all the funds for attending district and international sings, new uniforms, music etc.

Marquette was limited with a new director and accompanist but managed to sing at several benefits, Christmas opportunities, and a funeral and of course the UP 250 Sled Dog Race. Their spring show was in April.

Negaunee like Marquette started the year with a new director and accompanist. Although they lost 4 members by death, 8 new members joined making them the district's largest chorus with 41 members. The 2004-2005 singing season will be their 75th, another milestone in our district. This year 5 major concerts attracted record crowds with two becoming benefit concerts. The Christmas concert, a sell-out, provided funds to give 4 schools a donation of $1200 each. Another provided funds for a rebuilding project at the Bay Cliff Health Camp. They have a unique place to practice, a senior-citizen facility. Their Irish Fling was well attended with a dinner included. Their gospel group "Strictly Gospel" also made 11 appearances this year. The chorus revised and rewrote their by-laws.

Milwaukee struggled to find an accompanist and then ended up with two. One a college sophomore and the other a 16-year-old high school senior.
This was only the beginning as members began to fall like flies, as we lost 7 members to Parkinson's, Congestive Heart Problems, Macular Degeneration, and a Vocal Cord problem and a death putting the chorus done to 8 singers. Fortunately, we found two new tenors before the district and ended up with 10 for our show. Senior citizen homes and functions plus patriotic functions made up our singing year.

George Pecor

NYP Choruses Invited to Ontario Cabaret

The Wellsboro (PA) Men's Chorus and the Lock City (NY) Glee Club were invited to join the Ontario Big Sing event on May 1st, 2004. The event Port Huron Schubert (MI) chorus also attended, and we enjoyed their added fellowship as well. On behalf of NYP district, we thank you all for a grand evening.

Ontario titled this event "Big Sing 2004 - A Seven Chorus Dinner," catchy phrasing for a dinner and performance event. The hosts were the Niagara (Ont.) Men's Chorus at Niagara Falls, Ontario. We must credit their organization for all the effort that resulted in a successful sing.

This was the first opportunity for me to join this "cabaret" style evening of song and dinner. I was anticipating this event with many questions and wished to get a good lead on the different ways to do an event in the NYP District. I won't know the others' opinions until they are aired at the District Meeting. What I can say is the options expand when you think differently about your own Big Sing situations.
Web Managers Notes:
See: Bill Bates, A Different Kind of Song
See: Hamiliton (initial cabaret style concert)
...the format for the show was inspired by the success of the First Place Hamilton Male Chorus anniversary party and the many concerts put together by Port Huron...
For instance, the Niagara chorus had the facilities to host this large group (214 men on stage risers) and seat an audience at tables for dinner. That could be overwhelming for smaller towns in rural areas, but if you can take advantage of the area eateries you might want to look at this type of performance.

The area is a tourist attraction to begin with; the place offers travelers an opportunity to do things over a weekend of relaxing enjoyment. If your area is strictly a "one-night stay" because it lacks the accouterments, then you can't always expect others to stay long. One option might be to move the venue to somewhere close by one time, within half an hour or so of your home base.

The men assembled on the risers to open the show, singing one half of the massed chorus numbers. Then the first part of the dinner was served. Solo chorus numbers followed, after sufficient time for eating the portion of the meal. The wait staff had to hustle and bustle during these serving periods. The sing / serve & eat / sing again sequence went along until the entire evening was completed and enjoyed. Thanks again, Ontario, it was an enjoyable eye-opener.

Many thoughts can be stated for the pros and cons of this event. I can't wait to hear our District reps comment on this gathering. We also had guests from Amherst attending, so their considerations will get thrown in for fuller evaluation. If some of you wish further information on the way the Big Sing works as a cabaret style, I would put you in contact with folks in the Ontario leadership who are most familiar with this formula.

I am certain the various districts have tried many methods of enticing an audience to their Big Sings. It would be useful to avail ourselves of this information, compiled and catalogued for our use at District level. I wonder if someone has started such a file?

Just a thought! You can email me at rica(A)pce.net; happy to hear from you, thanks.
Ric Addenbrooke

Note from the Editor

This is my first attempt at a newsletter, although I've been writing documentation and papers for a long time. I apologize for any mistakes in the articles. The bylines indicate the persons who sent me the information, but I've taken the liberty of editing them, and in some cases, resorting to wholesale plagiarism to come up with the articles. So don't blame the authors, blame the editor.

I had hoped to have some articles on vocal technique or music reviews, but didn't receive anything in time for the publishing deadline. Maybe for the fall newsletter . . . Anyway, I appreciate all the contributions and hope to continue publicizing the activities of this great organization.

(Submitted by Ed Armbruster, Chorister Editor)

Installed 12 May 2004

Saturday, Aug 30, 2008    |    02313 since May 12, 2004

Return to Chorister Archives
Return to Chorister Page